On account of being sik, I spent my evening
on the sofa, snuffling pitifully and watching old Hollywood musicals. I started out with
There's No Business Like Show Business because it has Ethel Merman and Marilyn
Monroe AND Donald O'Conner in it, but the film didn't seem to do much with any of
them. There was a great deal of noise, but not much music. There
was a great deal of technicolor drapery and swirling, but not much dancing or
choreography. Lots of jokes, not much humor, and a great deal
of Marilyn Monroe wearing not very much at ALL. Her character sings in nightclubs, but her costume has
chrome nipples on tips of its spangled pneumatic front and that's all I have to
say about that. Poor Donald O'Conner was forced to dance the highland
fling to a New Orleans Blues version of Alexander's Ragtime Band - and Ethel
Merman? She had precisely two speeds - full throttle and off, and no-one
seemed to be able to get near the off button.
After ten minutes
and six musical comedy numbers, Mr Tabubil looked up from his book and said
"You know what? This is just like porn. A tottery, badly acted
plot to give a thin string of connection to the noisy bits. And the
noisy bits? They're an aesthetic abomination. And the apparent sincerity
of the actors? Yeah, they're faking it."
So we put on
Broadway Melody of 1940 with Fred Astaire and Eleanor Powell instead, and Mr
Tabubil forgot that he isn't supposed to approve of movies that aren't in color,
and we watched happily until bedtime.
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