Most tourists are reasonably sensible people, but the loopy ones are beautiful to behold and a joy forever. I present for your delectation two
parties overheard outside the coliseum:
Party A stepped out of the Metro, into
the glare of the sunlight reflected off the bulk of the marble, and spake
thusly, in west coast American accents:
“Whoooah, that is
HEAVY. Dude, it’s like…. all made of
STONE, man. Did they, like, lock people
up in there or something? Man, what kind
of religion WERE those people? WHOOOOOAHH.”
Party B was a woman and her
increasingly exasperated husband, picking their way across the rutted
travertine cobbles around the base of the Arch of Constantine:
“I assure you,
darling, that ‘back then’ these cobblestones WERE quite smooth!”
“Are you SURE?” The wife asked suspiciously. “They were
REALLY old-time people back then. How do
you KNOW that they knew how to build a proper road?”
“….But…. They built the
Coliseum! The forum! The Palatine Hill!” The husband was almost crying with
frustration. “They’re right there! You
can see THEM! I THINK they knew how to
build a little road!”
From his wife’s expression, she was not
convinced.
Passing ahead of the dear darlings, we walked
into the bowl of the coliseum and hitched rides with English and Spanish
language-tours and learned a lot that we didn't need to know about the
inventive cruelty of Roman Theatrical Impresarios.
Ech.
If any of it is actually true. One hears rumors. And quite a few militantly revisionist historians.
Sure, the old lady isn’t looking her
best, but she’s been through an awful lot – almost two thousand years of
spectacle, earthquake and fire, her outer layers being quarried away to build
baroque rome – the splendid miracle of her is that after all that time and
tribulation she still packs on hell of a punch.
Mr Tabubil couldn’t have given a toss
about the torrid historical horrors – he was just plain THRILLED by the
building.
“We’ve seen enough
churches – it’s time for some history! History that just happens to be built
really big and buttressed. I like
engineering, okay?"
At the end of the afternoon we walked from
the Coliseum into town, past the monument to Vittorio Emanuele, the first king
of the United Italy.
The Vittorio Emanuele monument is an
enormous construction, and to many reputable and critical eyes, a double sin
against both history and good taste. But
I liked it.
Erected (and that’s the only word –
take it as you will) in 1911, the great big THING is a semi-circular Corinthian
colonnade, with an enormous winged goddess driving chariots along the roof at
each end. The colonnade sits on four or
five tiered pediments of white marble - carrara marble, not the humble workaday
travertine with which the ancient Italians built Rome!
There are even a couple of eternal
flames burning in braziers out before the front gate.
It is very Victorian –if a couple of decades too late for the appellation: grandiose, cheerfully pretentious, and historically revisionist. It is vast and majestic and it glitters in the sun. It is what Ancient Rome SHOULD have looked like. It is Gladiator, and Ben Hur and Spartacus and the Arch of Constantine and the Baths of Caracalla and the Coliseum when it was new.
It is very Victorian –if a couple of decades too late for the appellation: grandiose, cheerfully pretentious, and historically revisionist. It is vast and majestic and it glitters in the sun. It is what Ancient Rome SHOULD have looked like. It is Gladiator, and Ben Hur and Spartacus and the Arch of Constantine and the Baths of Caracalla and the Coliseum when it was new.
It is utterly... utterly...
satisfactory, as a symbol of an Italy reunited, after a thousand and a half
years of tumultuous division.
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